Conversing and Reversing, Contemporary Impressions, Fall 2002 by Randy Garber The now ubiquitous discussions about the digital revolution (or, as John Labadie aptly names it in the Spring 2002 Contemporary Impressions, the digital "evolution")... > Right Click (PC)/Option Click (Mac) here to read further (article will download as PDF file) Fresh Eyes and Nuclei, Communication Arts, July 2001 by Randy Garber Imagine being a landscape painter who, for some reason, had never been outside to glimpse clouds or earth. Your images come from postcards, photographs and magazine reproductions of paintings... > Right Click (PC)/Option Click (Mac) here to read further (article will download as PDF file) Proof In Print: A Community of Printmaking Studios, Steinhour Press, 2000 by Randy Garber I grew up watching my father engrave impossibly small images and letters into precious metals. Bent over his engraving block, his intent focused through the eye loop... > Right Click (PC)/Option Click (Mac) here to read further (article will download as PDF file) Paintings by Joan Banach at Mario Diacono Gallery, Arts Media, Winter 1998/1999 by Randy Garber Banach's provocative and penetrating work is as much about the entrapment of women within the confines of gender, history and class as it is about what Diacono calls in his ccompanying essay, "dilapidated memory..." > Right Click (PC)/Option Click (Mac) here to read further (article will download as PDF file)