|
About
Resume
| Selected
Exhibitions |
| 2010 |
thINK,
Boston Printmakers
Traveling Exhibit
SOLO, Reverberations (Catalog with Essay by Patricia
Phillips, Dean Graduate School RISD) Olpaka
Gallery, Sage Colleges of Albany, Albany, NY
SOLO, Listening, Bromfield
Gallery, Boston, MA |
| 2009 |
(S)edition:
Prints as Activism, Urban
Institute for Contemporary Arts, Grand Rapids, MI
Sonic
Chromatic, Tamarind
Art Gallery, New York, NY
Women in Print, Bunker
Hill Community College, Boston, MA
New England Prints,
New Hampshire Institute of Art,
Manchester, NH (Award Winner)
MassArt Art Auction,
Massachusetts College of
Art, Boston, MA (Catalog)
Gender: Does It Still
Matter, Gallery
at the Art Institute of Boston, Boston, MA
The Unique
Print, Concord Art
Association, Concord, MA
Body and Soul, Bromfield
Gallery, Boston, MA |
| 2008 |
National
Print Biennial, Northern
Arizona University Art Museum, Flagstaff, AZ
3-Person
Virtual Exhibition, "World of Silence, World of Color:
Three Deaf American Artists," in the virtual world Second
Life
Solo Exhibition, "What You Already Know,"
Bromfield Gallery,
Boston, MA
On Drawing: Surface, Line and Mark, New
Art Center, Newton, MA
Capelli d' Angeli Foundation
Artists, Paesaggio
at 100 Pearl, Hartford, CT
MassArt Art Auction,
Massachusetts College of
Art, Boston, MA (catalogue)
Deaf Artists in Community,
Dishman Art Museum, Lamar University, Beaumont, TX Exhibition
travels to Texas Center for the Deaf, Austin
Children's Museum
De Via, Woodbury
Art Museum, Orem, UT
Paper Quilts, Essex
Art Center, Lawrence, MA |
| 2007 |
Solo
Exhibition, Viewpoint
Gallery, Schenectady, NY
Los Angeles Printmaking
Society National Exhibition, Riverside
Art Museum, Los Angeles, CA
Group Show, Aidekman
Gallery at Tufts University, Medford, MA
Group Show,
Susan Maasch Fine
Art, Portland, ME
Inner Life, Boston
Graduate School of Psychoanalysis, Brookline, MA
Two-Person
Exhibition, New England BioLabs,
MA
Somerville Prints! Brickbottom
Gallery, Somerville, MA
Associates Show, St.
Botolph Club, Boston, MA
Hot Off the Press,
Arsenal Art Center,
Watertown, MA
Architecture of Art, Felix Juliani
Gallery, Wellesley, MA |
| 2006 |
Two-Person
Exhibition at Cell
Signaling, Beverly, MA
Recent Acquisitions,
Decordova Museum, Lincoln,
MA
Invitational, LandEscapes, College
of the Atlantic, Mt. Desert Island, ME
Summer Solstice,
Boston Convention
Center, Boston, MA
BodyScapes, Concord
Art Association, Concord, MA
City Women, Gallery
at the Piano Factory, Boston, MA
The Drama of Scale,
Carney
Gallery, Regis College, Weston, MA
One Thousand
Words, Boston Graduate School
of Psychoanalysis, Brookline, MA |
| 2005 |
North
American Print Biennial, Juror: Joan Moser, Senior Curator,
Graphic Arts, Smithsonian
American Art Museum
The Dictionary Project,
Brickbottom
Gallery, Somerville, MA |
| 2004 |
Somatic
Scales, five-person exhibition curated by Patricia Phillips
at the Mills Gallery,
Boston Center for the Arts, Boston, MA
Perfect Pitch,
Curated by Karen Shaw, Islip
Museum, Long Island, NY
Catch My Drift, Solo
Invitational, Bromfield
Gallery, Boston, MA
9 From Waltham Mills, curated
by Wendy T. Kaplan, Brandeis
Women's Research Center, Waltham, MA
6 Artists,
6 Visions, Scollay
Square Gallery, Boston City Hall, Boston, MA
What
Works, Arthur Hill Gallery, Boston, MA |
| 2003 |
Measures
of Silence, Solo Installation at the Ohringer
Art Gallery, National Technical Institute for the Deaf,
Rochester Institute of Technology, Rochester, NY
Una
comunidad de Talleres de Grabado, Galeria
Espacio Abierto, Havana, Cuba
Take Five, Soprafina
Gallery, Cambridge, MA
Prints in Boston, Printmaker's
Invitational Bromfield
Gallery, Boston, MA
Solo, Massachusetts
Commission for the Deaf and Hard of Hearing, Boston, MA
Invitational, LandEscapes, College
of the Atlantic, Mt. Desert Island, ME
Works on
Paper, South Shore Art Center,
Cohasset, MA, Juror: Bernie Toale |
| 2002 |
Solo
Exhibition, Commissioner's Headquarters, Massachusetts
Commission for the Deaf and Hard of Hearing, Boston, MA
The 17th Annual Drawing Show, Mills
Gallery, Boston Center for the Arts, Boston, MA
Curator: Bill Arning, Director, List
Visual Arts Center, MIT, Cambridge, MA
Small Works
2002, The
Attleboro Museum, Attleboro, MA
Texas National,
Stephen Austin University
Gallery, Juror: Sandy Skoglund
Proof in Print,
Brickbottom
Gallery, Somerville, MA |
| 2001 |
Journeys,
Target
Gallery, Alexandria, VA
Multiplicity and Reiteration,
Tremont Gallery, Boston, MA
Proof in Print,
Wiggin Gallery, Boston Public
Library, Boston, MA
On/Off/Over the Edge, a
National Exhibition traveling from 2000 to 2003 to the following
venues: University of Nebraska
at Kearney, Bookwalter
Winery (Richland, WA), Cape
Cod Community College, University
of Florida,Lane Community
College (Eugene, OR), and Miami
University (Ohio) |
| 2000 |
Faber
Birren National Color Award Show, Stamford
Art Association, Curator: Janice Levin, Curatorial Fellow
at New York MOMA
New
Art Y2K, Kingston
Gallery, Boston, MA
National Exhibition, Bristol
Art Museum, Bristol, Rhode Island Award Winner
Small
Works, Attleboro
Museum, Attleboro MA
Exhibition of the Portfolio
Workshop Prints, Randse Afrikaans Universitate,
Johannesburg, South Africa
National Prize Show,
Cambridge, MA
Higher Elevations, Invitational Exhibition
at the College of the Atlantic,
Bar Harbor, ME |
| 1999 |
New
Art '99, National Exhibition, MPG
Gallery, Boston MA. Award Winner
Who Was She Last
Monday? Three Artists' Self Portraits, Dana
Hall Gallery, Wellesley, MA
Cooperstown National,
Main Street Gallery, Cooperstown, NY |
| 1998 |
Priva
Gross International Exhibition, QCC
Art Gallery, The City University of New York, Bayside,
New York. Juror: Marilyn Kushner, Curator of Prints and Drawings
at the Brooklyn Museum
of Art
Paper in Particular National Exhibition,
Columbia College, Columbia,
MO
Works on Paper Exhibition VII, Shepherd
College, Shepherdstown, WV
A Show of Hands,
Texas University
Medical Center, Lubbock, TX |
| 1997 |
Mapping
the Terrain, Boston University
Art Gallery, Juror: Robin Rosenfeld, Associate Curator,
Department of Prints and Drawings, MOMA,
New York, NY
Hand-Pulled Prints V, Parchman
Stremmel Galleries, San Antonio, TX
National Printmaking
1997, The College of New
Jersey, NJ
Winter Invitational Exhibition, Dieu
Donné Papermill, New York, NY
15th Annual
Exhibition, Pleiades
Gallery, New York, NY, Juror: Donald Kuspit, Critic
5th Annual National Exhibition, Carnegie
Art Center, North Tonawanda, NY
Family Portraits,
Hera Gallery, Wakefield,
RI, Juror: Doreen Bolger, Director,Museum of Art, RISD
Fusion, Harbor
Gallery, University of Massachusetts, Boston, MA
Drawing
Show, School of the Museum
of Fine Arts, Boston, MA
Clay, Fiber, Paper, Glass,
Metal, Wood Exhibition, The
Octagon Gallery, Ames, IA
Sanctuary, Rothschild
Gallery, Bunting Institute
of Radcliffe College, Cambridge, MA
Solo Exhibition,
Longy School of Music,
Cambridge, MA |
| 1996 |
Watermark:
A National Works on Paper Exhibition, Gallery
Concord, Concord, CA
The Art of Music, Ashwell
Gallery, Beverly, MA, Award Winner
Clemson National
Print and Drawing Exhibition, R.
E. Lee Gallery, Clemson University, SC
Winter Invitational
Exhibition, Dieu Donné
Papermill, New York, NY
Gender in Art: What Women
See, What Men See, University
Place Gallery, Cambridge, MA
She Who Laughs Lives,
Rothschild Gallery, Radcliffe College, Cambridge, MA
Solo Exhibition, Naz Art Gallery, Newton Centre,
MA
Solo Exhibition, Atelier Gallery, Boston
Architectural College, Boston, MA
Solo Exhibition,
Sony Electronics, Newton,
MA |
| 1995 |
Timespan,
Irving Arts Center,
Dallas, TX
Print Biennial, Schenectady
Museum, NY
"Works on Paper" School
of the Museum of Fine Arts, Boston, MA
Award for
Distinction in Printmaking
Winter Invitational Exhibition,
Dieu Donné Papermill,
New York, NY
Winter Exhibition, School
of the Museum of Fine Arts, Boston, MA
"Class Action
Suite" Print Portfolio, School
of the Museum of Fine Arts, Boston, MA
Annual Exhibition,
School of the Museum of Fine
Arts, Boston, MA
Celebrating the I, Rothschild
Gallery, Radcliffe College, Cambridge, MA |
| Presentations,
Teaching, Curating |
|
Instructor, Massachusetts
College of Art, 2007- 2010 |
|
Instructor, Curry College,
2007-2009 |
|
Guest Curator, Boston
Graduate School of Psychoanalysis, 2009 |
|
Panelist, Drawing: Surface, Line and Mark, New
Art Center, Newton, MA 02459 |
| Panelist,
Art and Cancer, Paesaggio
Gallery, Hartford, CT 2008 |
| Panelist,
Communication through Art, Dishman Art Museum, Beaumont,
TX 2008 |
| Instructor,
Massachusetts College of
Art, 2007- 2009 |
| Instructor,
Curry College, 2007-2009 |
| Guest
Artist - Critiques, Massachusetts
College of Art, 2004 through 2008 |
| Guest
Artist - Juror for Grants, Massachusetts
College of Art, 2007 |
| Workshop
Instructor, Mixit
Print Studio, Somerville, MA 2007 |
| Presentation
(as grant recipient, Capelli
D'Angeli Foundation), Art Gallery, St. Francis Cancer
Center, Hartford, CT, 2007 |
| Guest
Artist - Presentation, Princeton
University, Spring 2004 |
| Guest
Artist - Presentation, Massachusetts
College of Art, February 2004 |
| Featured
Artist, Spring Program of the Boston
Women's Caucus for the Arts, 1997 |
| Publications |
|
Size & Scale in the Field of Contemporary Print,
by Catherine Kernan, Contemporary Impressions, Journal of
the American Print Alliance, Spring/Summer 2009 |
|
"High Marks; Drawing: Surface, Line, Mark", Review:
The Boston Globe, Cate McQuaid, 5/7/08 |
| "Somerville
Prints!", Boston Globe, Your Tuesday 2/20/07 |
| "2006
Calendar, Centerfold Image", Decordova Museum, Lincoln,
MA 2006 |
| "Words
and Images", University of Southern Maine Publication,
2006 |
| "Pick
of the Week", The Boston Globe, March 14, 2006 |
| "Somatic
Scales", Review by Susan Boulanger, Art New England,
Oct/Nov. 2004 |
| "On
Balance, 'Somatic Scales' Explores Bodies and Minds" Review
by Cate McQuaid,The Boston Globe, 7/16/04 |
| "Scales
Weighs Body, Mind, Spirit" Review by Joanne Silver, Boston
Herald, 6/11/04 |
| "Character
and Mood on Paper." Review by Helen Harrison, New York
Times, 4/25/04 |
| "Mills
Measures Up", Review by d'Lynne Plummer, South End News,
7/1/04 |
| "Women
on the Verge", Review by Thomas Garvey, South End News,
5/20/04 |
| "Our
Bodies, Our Selves", by Randi Hopkins, The Boston Phoenix,
5/28/04 |
| "Waltham
at Work: Nine Local Artists connect with Brandeis in Collaborative
Exhibit", Review by Max Heuer, Daily News Transcript,
2/5/04 |
| "Conversing
and Reversing", by Randy Garber, Contemporary Impressions:
The Journal of the American Print Alliance, Fall 2002 |
| "An
Art Community's Lofty Pursuits", Emily Sweeney, The
Boston Globe, 11/1/01 |
| "Fresh
Eyes and Nuclei", by Randy Garber Journal of Communication
Arts, July 2001 |
| "Proof
in Print: A Community of Printmaking Studios", The Trustees
of the Boston Public Library, 2001 |
| "Waltham
at Work", Review by Max Heurer, Daily News Tribune,
2/5/04 |
| "New
Art, Y2K at the Kingston Gallery/Boston", Review by Jamie
Farrell, Art New England, October/November 2000 |
| "Artists
Find Challenge in Somesville Garden", Review by Misty Edgecomb,
Bangor Daily News, 8/10/00 |
| "Scarecrows",
Higher Elevations, Review: Nan Lincoln, Bar Harbor Times,
8/10/00 |
| "Scarecrows",
Review: The Ellsworth Weekly, 8/17/00 |
| "Variation
and Continuity: The Workshop Portfolios", Article by K.E.
Duffin, Contemporary Impressions, Volume 8, No.1, Spring,
2000 |
| "Paintings
by Joan Banach at Mario Diacono Gallery", Review by Randy
Garber, Arts Media, Winter Issue 98/99 |
| "Young
at Art", by Aviya Kushner, Review: Stuff Magazine
2/16/99 |
| "Who
Was She Last Monday?" Natick Bulletin, 2/11/99 |
| "Perspectives",
Christine Temin, The Boston Globe, 2/19/97 |
| "Artists
Contemplate Music At Ashwell Gallery", Elisabeth Clark,
North Shore Magazine, 5/30/96 |
| "Built
in Milwaukee: An Architectural View of the City", Randy
Garber. Editor, The University of Wisconsin Press, 1984 |
| "Beyond
the Neck: The Architecture and Development of Somerville, MA",
by Randy Garber, Editor, published by Landscape Research,
Boston, MA 1982 |
| Awards/Grants/Residencies |
| 2009 |
Somerville
Artist Fellowship Grant |
| 2007 |
Puffin
Foundation Artist Grant |
| 2007 |
Juror's
Choice Award, 7th National Exhibition, Artists with
Disabilities |
| 2007 |
Capelli
d'Angeli Foundation Artist Grant |
| 2007 |
Artist Scholarship
Grant, Vermont
Studio Center |
| 2006 |
Hambidge
Center for Art and Science, Rabun Gap, GA |
| 2003 |
Artist Grant,
St. Botolph Foundation,
Boston, MA |
| 2000 |
Award, National
Exhibition, Bristol
Art Museum, Bristol, RI |
| 1999 |
Award, New
Art '99, National Exhibition, MPG
Gallery, Boston, MA |
| 1996 |
Award, The
Art of Music, Ashwell Gallery, Beverly, MA |
| 1995 |
Award,
Works on Paper, School
of the Museum of Fine Arts, Boston, MA |
| Collections |
| Children's
Hospital of Boston/Karp Cancer Research Center, MA |
| Decordova
Museum, Lincoln, MA |
| Museum
of Fine Arts, Boston, MA |
| Jean
Massieu School for the Deaf, Riverton, UT |
| Dare
Family Services, MA |
| First
Literacy Boston, Boston, MA |
| New
England BioLabs, Ipswich, MA |
| Sunnyview
Rehabilitation Hospital, Schnectady, NY |
| Boston
Graduate School of Psychoanalysis, Brookline, MA |
| Cell
Signaling, Beverly, MA |
| Ohringer
Art Gallery, Rochester Institute of Technology, Rochester,
NY |
| Massachusetts
Commission for the Deaf and Hard of Hearing, Boston, MA |
| Print
Club of Albany, Inc. |
| The
Boston Public Library |
| The
Boston Athenaeum |
| MSR
Architects, Washington, DC |
| Offices
of Ephross and Weiss, Baltimore, MD |
| The
Institute for Cognitive Prosthetics, Bala Cynwyd, PA |
| Gallery
Representation |
| Bromfield
Gallery, Boston, MA |
| Public
and Private Commissions |
| Children's
Hospital Karp Cancer Research Building, Boston, MA |
| Governor
Baxter School for the Deaf, Mackworth Island, Portland,
ME |
| Private
Clients |
| Professional
Activity |
1996-
2007 |
Free-Lance
Editor/Writer, Training, Grub
Street Writers, Boston University
School of Public Health, Oxigene
Corporation, Northeastern
University, The
City School, Lingua
Graphica, Bridge Consulting Group, private clients |
2003-
2005 |
President,
Artists West Association,
Waltham, MA |
| 2000 |
Co-Editor,
Proof in Print: A Community of Printmaking Studios, The Trustees
of the Boston Public Library |
| 1997 |
President,
Boston Women's Caucus for Art |
1990-
1995 |
Full-time
Instructor, Northeastern
University, Graduate School of Business. Classes in Professional
Oral and Written Communication |
1987-
1994 |
Founding
Partner, WordPower
Communications, a full service Communications Consulting
Practice |
1987-
1989 |
Instructor,
University of Massachusetts Boston,
Courses in Communications |
| Education |
| 1998 |
Diploma
in Studio Arts, School of the
Museum of Fine Arts, Boston, MA Eugene C. Ward Scholarship
Nomination, 1995 |
| 1978 |
M.L.A.,
Landscape Architecture, University
of Wisconsin, Madison, WI Vilas Fellowship |
| 1976 |
M.A., English
Literature, University of Wisconsin,
Madison, WI Full Tuition Scholarship |
| 1974 |
B.A., English
Literature, Boston University,
Boston, MA Magna Cum Laude |
| 1973 |
Distinction
Study, English Literature, St.
Clare's Hall, Oxford, UK |
Articles
Conversing
and Reversing, Contemporary Impressions, Fall 2002 by Randy
Garber
The now ubiquitous discussions about the digital revolution
(or, as John Labadie aptly names it in the Spring 2002 Contemporary
Impressions, the digital "evolution")...
Fresh
Eyes and Nuclei, Communication Arts, July 2001 by Randy
Garber
Imagine being a landscape painter who, for some reason, had
never been outside to glimpse clouds or earth. Your images come
from postcards, photographs and magazine reproductions of paintings...
Proof
In Print: A Community of Printmaking Studios, Steinhour
Press, 2000 by Randy Garber
I grew up watching my father engrave impossibly small images
and letters into precious metals. Bent over his engraving block,
his intent focused through the eye loop...
Paintings
by Joan Banach at Mario Diacono Gallery, Arts Media, Winter
1998/1999 by Randy Garber
Banach's provocative and penetrating work is as much about the
entrapment of women within the confines of gender, history and
class as it is about what Diacono calls in his accompanying essay...
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